Omar Ahmed makes an impassioned plea for us to pay attention to the films that constituted this movement.
Konstantinos makes a case for VFx as an effective storytelling tool.
Ramchander overhears a conversation between Santiago Gamboa, a novelist from Colombia, and Tran Anh Hùng, a filmmaker from Vietnam.
This interview with writer-cinematographer-director Chezhiyan touches on a wide range of topics—world cinema, realism in cinema, independent cinema, current trends…
உலக சினிமா, எதார்த்த சினிமா, சுயாதீன சினிமா, தமிழ் சினிமாவின் தற்போதைய நிலை, ஒளிப்பதிவு அணுகுமுறை என்று வெவ்வேறு தளங்களைத் தொட்டுச் செல்லும் உரையாடல்.
Mitsu visits some of Old Delhi's single screen cinemas and comes back with pictures.
A quick look at what we have in our anniversary issue, and notes from the editors.
Once again, film recommendations for many moods, in many languages.
Anusha reports from the 33rd edition of ReelQ Film Festival in Pittsburgh.
Michael Derrick writes about Hollywood's tryst with horror, and Nicolas Winding Refn's polarizing film, The Neon Demon.
Kasper Håkansson writes about a novel that is part historical fiction and part nightmare. What if cinema was a tool…
Kasper Håkansson skriver om en roman, der er delvist historisk fiktion og delvist et mareridt. Hvad hvis film var et…
Priyadershini watched Kamila Andini's film and attempts to recreate her journey.
Anusha writes about ReelAbilities Pittsburgh, a film festival with a difference.
Why watch a movie? Why write about it? Madhu has questions, and maybe some answers.
Ramchander met the filmmakers when they were in Singapore, for Sg.SAIFF 2018.
Jayanthi Sankar spends a day at the Singapore South Asian International Film Festival 2018.
An interview with Amit Agarwal, Artistic Director of the Singapore South Asian International Film Festival.
A short essay by Sara Siddiqui Chansarkar, about the potent power of nostalgia, and a song from the Hindi film…
Ramchander met the cast and crew of Tashi, an independent film shot in Singapore.
He composed our magazine's theme music! But we spoke to him about other things too.
Julia Shiota writes about growing up Japanese-American; with art work by Clinton Tham.