Michael Derrick writes about Hollywood's tryst with horror, and Nicolas Winding Refn's polarizing film, The Neon Demon.
Kasper Håkansson writes about a novel that is part historical fiction and part nightmare. What if cinema was a tool…
Priyadershini watched Kamila Andini's film and attempts to recreate her journey.
Anusha writes about ReelAbilities Pittsburgh, a film festival with a difference.
Why watch a movie? Why write about it? Madhu has questions, and maybe some answers.
Ramchander met the filmmakers when they were in Singapore, for Sg.SAIFF 2018.
Jayanthi Sankar spends a day at the Singapore South Asian International Film Festival 2018.
An interview with Amit Agarwal, Artistic Director of the Singapore South Asian International Film Festival.
A short essay by Sara Siddiqui Chansarkar, about the potent power of nostalgia, and a song from the Hindi film…
Ramchander met the cast and crew of Tashi, an independent film shot in Singapore.
He composed our magazine's theme music! But we spoke to him about other things too.
Julia Shiota writes about growing up Japanese-American; with art work by Clinton Tham.
Manishankar Prasad looks at how the Indian diaspora in the Middle East consumes films.
Kamila Kunda shares her passion for cinema that reflects the natural rhythms of life.
Gayathiri looks at how this issue is presented in The Red Thread (Spanish) and Sathi Leelavathi (Tamil).
Coco introduces us to Rob Carter's stop-motion film Metropolis.
Pradheep reports from the Chennai International Queer Film Festival 2018.
Ramchander argues that Pa Ranjith's filmography is never lacking in form, even if such complaints abound.
A fabulous comic panel by Unaka, about the pleasure of watching animated films.
Vishwanathan talks to those who make the magic of cinema possible—the men in the projection rooms, the ticket collector, the…
Kurien visits the Golden Mile Complex in Singapore, where every kind of film-goer can find a movie to watch.